ACT 4, SCENE 7 - BATTLEFIELD ALEXANDRIA

 

 

 

 

 

 

 

 

 

Thonis-Heracleion was Egypt’s greatest port for much of the first millennium B.C. before Alexander the Great established Alexandria in 331 B.C. Then it vanished beneath the sea in 365 A.D. hiding the location of Queen Cleopatra's tomb - a long lost mystery - until now.

 

 

 

 

WILLIAM SHAKESPEARE'S PLAY - ANTHONY AND CLEOPATRA - FULL TEXT

 

ACT I

SCENE I. Alexandria. A room in CLEOPATRA's palace.

SCENE II. Alexandria, Cleopatra's Palace. Another room.  Enter CHARMIAN, IRAS, ALEXAS, and a Soothsayer
SCENE III. Alexandria, Cleopatra's Palace. Another room. Enter CLEOPATRA, CHARMIAN, IRAS, and ALEXAS
SCENE IV. Rome. OCTAVIUS CAESAR's house. Enter OCTAVIUS CAESAR, reading a letter, LEPIDUS, and their Train

SCENE V. Alexandria. CLEOPATRA's palace. Enter CLEOPATRA, CHARMIAN, IRAS, and MARDIAN

 


ACT II


SCENE I. Messina. POMPEY's house
Enter POMPEY, MENECRATES, and MENAS, in warlike manner

SCENE II. Rome. The house of LEPIDUS Enter DOMITIUS ENOBARBUS and LEPIDUS

SCENE III. The same. OCTAVIUS CAESAR's house. Enter ANTONY, OCTAVIUS , OCTAVIA, and Attendants
SCENE IV. The same. A street. Enter LEPIDUS, MECAENAS, and AGRIPPA

SCENE V. Alexandria. CLEOPATRA's palace. Enter CLEOPATRA, CHARMIAN, IRAS, and ALEXAS

SCENE VI. Near Misenum. Pompey Menas at one door, Caesar, Anotony, Lepidus, Enobarbus, Mecaenas
SCENE VII. On board POMPEY's galley, off Misenum.  Music plays. Enter two or three Servants with a banquet

 


ACT III


SCENE I. A plain in Syria.
Enter VENTIDIUS with SILIUS, other Romans, Officers, Soldiers; body of PACORUS

SCENE II. Rome. An ante-chamber in OCTAVIUS CAESAR's house. AGRIPPA at one door, ENOBARBUS at another
SCENE III. Alexandria. CLEOPATRA's palace. Enter CLEOPATRA, CHARMIAN, IRAS, and ALEXAS
SCENE IV. Athens. A room in MARK ANTONY's house.  Enter MARK ANTONY and OCTAVIA

SCENE V. The same. Another room Enter DOMITIUS ENOBARBUS and EROS, meeting
SCENE VI. Rome. OCTAVIUS CAESAR's house
Enter OCTAVIUS CAESAR, AGRIPPA, and MECAENAS

SCENE VII. Near Actium. MARK ANTONY's camp Enter CLEOPATRA and DOMITIUS ENOBARBUS

SCENE VIII. A plain near Actium. Enter OCTAVIUS CAESAR, and TAURUS, with his army, marching

SCENE IX. Another part of the plain. Enter MARK ANTONY and DOMITIUS ENOBARBUS

SCENE X. Another part of the plain. CANIDIUS marcheth army and TAURUS, lieutenant CAESAR. Noise of a sea-fight.

SCENE XI. Alexandria. CLEOPATRA's palace. Enter MARK ANTONY with Attendants

SCENE XII. Egypt. OCTAVIUS CAESAR's camp. Enter OCTAVIUS CAESAR, DOLABELLA, THYREUS, with others

SCENE XIII. Alexandria. CLEOPATRA's palace. Enter CLEOPATRA, ENOBARBUS, CHARMIAN, and IRAS

 


ACT IV


SCENE I. Before Alexandria. OCTAVIUS CAESAR's camp.
Enter CAESAR, AGRIPPA, MECAENAS, Army; CAESAR reading

SCENE II. Alexandria. CLEOPATRA's palace. Enter ANTONY, CLEOPATRA, ENOBARBUS, CHARMIAN, IRAS, ALEXAS
SCENE III. The same. Before the palace. Enter two Soldiers to their guard
SCENE IV. The same. A room in the palace. Enter ANTONY and CLEOPATRA, CHARMIAN, others attending 

SCENE V. Alexandria. MARK ANTONY's camp. Trumpets. Enter MARK ANTONY and EROS; Soldier meeting


<<<<< SCENE VI. Alexandria. OCTAVIUS CAESAR's camp. Flourish. Enter OCTAVIUS, AGRIPPA, with ENOBARBUS, and others



SCENE VII. Field of battle between the camps. Alarum. Drums and trumpets. Enter AGRIPPA and others


AGRIPPA


Retire, we have engaged ourselves too far:
Caesar himself has work, and our oppression
Exceeds what we expected.


Exeunt

Alarums. Enter MARK ANTONY and SCARUS wounded

SCARUS


O my brave emperor, this is fought indeed!
Had we done so at first, we had droven them home
With clouts about their heads.


MARK ANTONY


Thou bleed'st apace.


SCARUS


I had a wound here that was like a T,
But now 'tis made an H.


MARK ANTONY


They do retire.


SCARUS


We'll beat 'em into bench-holes: I have yet
Room for six scotches more.


Enter EROS

EROS


They are beaten, sir, and our advantage serves
For a fair victory.


SCARUS


Let us score their backs,
And snatch 'em up, as we take hares, behind:
'Tis sport to maul a runner.


MARK ANTONY


I will reward thee
Once for thy spritely comfort, and ten-fold
For thy good valour. Come thee on.


SCARUS


I'll halt after.


Exeunt

 


SCENE VIII. Under the walls of Alexandria. Alarum. Enter MARK ANTONY, in a march; SCARUS, with others >>>>>

 

 

 

 

 

Cleopatra took her own life in 30BC, remained in the afterlife, waiting for rebirth protected by Anubis, then is Reborn into the 21st century after her mummy is recovered by Safiya Sabuka for scientists who have the technology to bring her back to life.

 

 

CLONED REPLICANT - Using the latest technology in computer genome mapping and digital DNA splicing, a brotherhood of progressive scientists reincarnate Cleopatra VII, who died in 30BC, having located and plundered her sarcophagus from its watery grave. The resurrected Pharaoh has to mesh with the modern world she's been reborn into, against antagonists various, including the CIA and Vatican.

 

 

 

 

 

 

 The discovery of Cleopatra's tomb, Queen of the Nile, John Storm adventure where the pharaoh is reincarnated original story Cleaner Ocean FoundationCleopatra's tomb is discovered off the coast of Alexandria, the ancient city was sunk by a tsunami in 365 BC

 

Charlton Heston and Hildegard Neil as Antony and Cleopatra, a movie from 1972

 

     The ancient Egyptians believed that a ship carried the Sun around the world, and that they would need a boat like this in the afterlifeCleopatra was famous for her river barges. The ancient Egyptian carried their dead on these boats during funerals

 

 

The remains of Cleopatra's Temple are underwater, off the coast of Egypt

 

It was inevitable that Egypt and Rome would clash, since the Pharaoh's produced so much grain, that the Roman Empire needed to keep expanding.The Egyptian Ank is a symbol or life and rebirth

 

 

 

 

 

 

WILLIAM SHAKESPEARE'S

 

ANTONY AND CLEOPATRA

 

ACT 4, SCENE 7 - BATTLEFIELD ALEXANDRIA OCTAVIUS CAESAR AND AGRIPPA - WILLIAM SHAKESPEARE'S: ANTONIUS AND CLEOPATRA - FIRST PERFORMED AT THE GLOBE THEATRE IN 1607 - A TRAGEDY - SUICIDE OF THE PHARAOH QUEEN OF EGYPT BY POISON ASP

 

 

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