Thonis-Heracleion was
Egypt’s greatest port for much of the first millennium B.C. before
Alexander the Great established Alexandria in 331 B.C. Then it vanished beneath
the sea in 365 A.D. hiding
the
location of Queen Cleopatra's tomb - a long
lost mystery - until now.
WILLIAM
SHAKESPEARE'S
PLAY - ANTHONY AND CLEOPATRA - FULL TEXT
ACT I
SCENE I. Alexandria. A room in CLEOPATRA's palace.
SCENE II. Alexandria, Cleopatra's Palace. Another room. Enter
CHARMIAN, IRAS, ALEXAS, and a Soothsayer
SCENE III. Alexandria, Cleopatra's Palace. Another room.
Enter CLEOPATRA, CHARMIAN, IRAS, and ALEXAS
SCENE IV. Rome. OCTAVIUS CAESAR's house. Enter OCTAVIUS CAESAR, reading a letter, LEPIDUS, and their Train
SCENE V. Alexandria. CLEOPATRA's
palace. Enter CLEOPATRA, CHARMIAN, IRAS, and MARDIAN
ACT II
SCENE I. Messina. POMPEY's house. Enter POMPEY, MENECRATES, and MENAS, in warlike manner
SCENE II. Rome. The house of LEPIDUS. Enter DOMITIUS ENOBARBUS and LEPIDUS
SCENE III. The same. OCTAVIUS CAESAR's house.
Enter ANTONY, OCTAVIUS , OCTAVIA, and Attendants
SCENE IV. The same. A street.
Enter LEPIDUS, MECAENAS, and AGRIPPA
SCENE V. Alexandria. CLEOPATRA's palace.
Enter CLEOPATRA, CHARMIAN, IRAS, and ALEXAS
SCENE VI. Near Misenum.
Pompey Menas at one door, Caesar, Anotony, Lepidus, Enobarbus,
Mecaenas
SCENE VII. On board POMPEY's galley, off Misenum. Music plays. Enter two or three Servants with a banquet
ACT III
SCENE I. A plain in Syria.
Enter VENTIDIUS with SILIUS, other
Romans, Officers, Soldiers; body of PACORUS
SCENE
II. Rome. An ante-chamber in OCTAVIUS CAESAR's house. AGRIPPA at one door,
ENOBARBUS at another
SCENE III. Alexandria. CLEOPATRA's palace.
Enter CLEOPATRA, CHARMIAN, IRAS, and ALEXAS
SCENE IV. Athens. A room in MARK ANTONY's house. Enter MARK ANTONY and OCTAVIA
SCENE V. The same. Another
room. Enter DOMITIUS ENOBARBUS and EROS, meeting
SCENE VI. Rome. OCTAVIUS CAESAR's house.
Enter OCTAVIUS CAESAR, AGRIPPA, and MECAENAS
SCENE VII. Near Actium. MARK ANTONY's camp. Enter CLEOPATRA and DOMITIUS ENOBARBUS
SCENE VIII. A plain near Actium.
Enter OCTAVIUS CAESAR, and TAURUS, with his army, marching
SCENE IX. Another part of the plain.
Enter MARK ANTONY and DOMITIUS ENOBARBUS
SCENE X. Another part of the plain.
CANIDIUS marcheth army and
TAURUS, lieutenant CAESAR. Noise of a sea-fight.
SCENE XI. Alexandria. CLEOPATRA's palace.
Enter MARK ANTONY with Attendants
SCENE XII. Egypt. OCTAVIUS CAESAR's camp.
Enter OCTAVIUS CAESAR, DOLABELLA, THYREUS, with others
SCENE XIII. Alexandria. CLEOPATRA's palace.
Enter CLEOPATRA, ENOBARBUS, CHARMIAN, and IRAS
ACT IV
<<<<< SCENE I. Before Alexandria. OCTAVIUS CAESAR's camp.
Enter CAESAR, AGRIPPA, MECAENAS, Army; CAESAR reading
SCENE II. Alexandria. CLEOPATRA's palace.
Enter MARK ANTONY, CLEOPATRA, ENOBARBUS, CHARMIAN, IRAS, ALEXAS
MARK ANTONY
He will not fight with me, Domitius.
DOMITIUS ENOBARBUS
No.
MARK ANTONY
Why should he not?
DOMITIUS ENOBARBUS
He thinks, being twenty times of better fortune,
He is twenty men to one.
MARK ANTONY
To-morrow, soldier,
By sea and land I'll fight: or I will live,
Or bathe my dying honour in the blood
Shall make it live again. Woo't thou fight well?
DOMITIUS ENOBARBUS
I'll strike, and cry 'Take all.'
MARK ANTONY
Well said; come on.
Call forth my household servants: let's to-night
Be bounteous at our meal.
Enter three or four Servitors
Give me thy hand,
Thou hast been rightly honest;--so hast thou;--
Thou,--and thou,--and thou:--you have served me well,
And kings have been your fellows.
CLEOPATRA
[Aside to DOMITIUS ENOBARBUS] What means this?
DOMITIUS ENOBARBUS
[Aside to CLEOPATRA] 'Tis one of those odd
tricks which sorrow shoots
Out of the mind.
MARK ANTONY
And thou art honest too.
I wish I could be made so many men,
And all of you clapp'd up together in
An Antony, that I might do you service
So good as you have done.
All
The gods forbid!
MARK ANTONY
Well, my good fellows, wait on me to-night:
Scant not my cups; and make as much of me
As when mine empire was your fellow too,
And suffer'd my command.
CLEOPATRA
[Aside to DOMITIUS ENOBARBUS] What does he mean?
DOMITIUS ENOBARBUS
[Aside to CLEOPATRA] To make his followers weep.
MARK ANTONY
Tend me to-night;
May be it is the period of your duty:
Haply you shall not see me more; or if,
A mangled shadow: perchance to-morrow
You'll serve another master. I look on you
As one that takes his leave. Mine honest friends,
I turn you not away; but, like a master
Married to your good service, stay till death:
Tend me to-night two hours, I ask no more,
And the gods yield you for't!
DOMITIUS ENOBARBUS
What mean you, sir,
To give them this discomfort? Look, they weep;
And I, an ass, am onion-eyed: for shame,
Transform us not to women.
MARK ANTONY
Ho, ho, ho!
Now the witch take me, if I meant it thus!
Grace grow where those drops fall!
My hearty friends,
You take me in too dolorous a sense;
For I spake to you for your comfort; did desire you
To burn this night with torches: know, my hearts,
I hope well of to-morrow; and will lead you
Where rather I'll expect victorious life
Than death and honour. Let's to supper, come,
And drown consideration.
Exeunt
SCENE III. The same. Before the palace.
Enter two Soldiers to their guard >>>>>
CLONED
REPLICANT - Using the latest technology in computer genome mapping and
digital DNA splicing, a brotherhood of progressive scientists reincarnate Cleopatra
VII, who died in 30BC, having located and plundered her sarcophagus from
its watery grave. The resurrected Pharaoh has to mesh with the modern
world she's been reborn into, against antagonists various, including the
CIA and Vatican.
    
    
  
   
    
    
   
  
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