ACT 3, SCENE 6 - ROME CAESAR'S HOUSE

 

 

 

 

 

 

 

 

 

Thonis-Heracleion was Egypt’s greatest port for much of the first millennium B.C. before Alexander the Great established Alexandria in 331 B.C. Then it vanished beneath the sea in 365 A.D. hiding the location of Queen Cleopatra's tomb - a long lost mystery - until now.

 

 

 

 

WILLIAM SHAKESPEARE'S PLAY - ANTHONY AND CLEOPATRA - FULL TEXT

 

ACT I

SCENE I. Alexandria. A room in CLEOPATRA's palace.

SCENE II. Alexandria, Cleopatra's Palace. Another room.  Enter CHARMIAN, IRAS, ALEXAS, and a Soothsayer
SCENE III. Alexandria, Cleopatra's Palace. Another room. Enter CLEOPATRA, CHARMIAN, IRAS, and ALEXAS
SCENE IV. Rome. OCTAVIUS CAESAR's house. Enter OCTAVIUS CAESAR, reading a letter, LEPIDUS, and their Train

SCENE V. Alexandria. CLEOPATRA's palace. Enter CLEOPATRA, CHARMIAN, IRAS, and MARDIAN

 


ACT II


SCENE I. Messina. POMPEY's house
Enter POMPEY, MENECRATES, and MENAS, in warlike manner

SCENE II. Rome. The house of LEPIDUS Enter DOMITIUS ENOBARBUS and LEPIDUS

SCENE III. The same. OCTAVIUS CAESAR's house. Enter ANTONY, OCTAVIUS , OCTAVIA, and Attendants
SCENE IV. The same. A street. Enter LEPIDUS, MECAENAS, and AGRIPPA

SCENE V. Alexandria. CLEOPATRA's palace. Enter CLEOPATRA, CHARMIAN, IRAS, and ALEXAS

SCENE VI. Near Misenum. Pompey Menas at one door, Caesar, Anotony, Lepidus, Enobarbus, Mecaenas
SCENE VII. On board POMPEY's galley, off Misenum.  Music plays. Enter two or three Servants with a banquet

 


ACT III


SCENE I. A plain in Syria.
Enter VENTIDIUS with SILIUS, other Romans, Officers, Soldiers; body of PACORUS

SCENE II. Rome. An ante-chamber in OCTAVIUS CAESAR's house. AGRIPPA at one door, ENOBARBUS at another
SCENE III. Alexandria. CLEOPATRA's palace. Enter CLEOPATRA, CHARMIAN, IRAS, and ALEXAS
SCENE IV. Athens. A room in MARK ANTONY's house.  Enter MARK ANTONY and OCTAVIA


<<<<< SCENE V. The same. Another room
Enter DOMITIUS ENOBARBUS and EROS, meeting


SCENE VI. Rome. OCTAVIUS CAESAR's house
Enter OCTAVIUS CAESAR, AGRIPPA, and MECAENAS

 

OCTAVIUS CAESAR


Contemning Rome, he has done all this, and more,
In Alexandria: here's the manner of 't:
I' the market-place, on a tribunal silver'd,
Cleopatra and himself in chairs of gold
Were publicly enthroned: at the feet sat
Caesarion, whom they call my father's son,
And all the unlawful issue that their lust
Since then hath made between them. Unto her
He gave the stablishment of Egypt; made her
Of lower Syria, Cyprus, Lydia,
Absolute queen.


MECAENAS


This in the public eye?


OCTAVIUS CAESAR


I' the common show-place, where they exercise.
His sons he there proclaim'd the kings of kings:
Great Media, Parthia, and Armenia.
He gave to Alexander; to Ptolemy he assign'd
Syria, Cilicia, and Phoenicia: she
In the habiliments of the goddess Isis
That day appear'd; and oft before gave audience,
As 'tis reported, so.


MECAENAS


Let Rome be thus Inform'd.


AGRIPPA


Who, queasy with his insolence
Already, will their good thoughts call from him.


OCTAVIUS CAESAR


The people know it; and have now received
His accusations.


AGRIPPA


Who does he accuse?


OCTAVIUS CAESAR


Caesar: and that, having in Sicily
Sextus Pompeius spoil'd, we had not rated him
His part o' the isle: then does he say, he lent me
Some shipping unrestored: lastly, he frets
That Lepidus of the triumvirate
Should be deposed; and, being, that we detain
All his revenue.


AGRIPPA


Sir, this should be answer'd.


OCTAVIUS CAESAR


'Tis done already, and the messenger gone.
I have told him, Lepidus was grown too cruel;
That he his high authority abused,
And did deserve his change: for what I have conquer'd,
I grant him part; but then, in his Armenia,
And other of his conquer'd kingdoms, I
Demand the like.


MECAENAS


He'll never yield to that.


OCTAVIUS CAESAR


Nor must not then be yielded to in this.
Enter OCTAVIA with her train

OCTAVIA


Hail, Caesar, and my lord! hail, most dear Caesar!


OCTAVIUS CAESAR


That ever I should call thee castaway!


OCTAVIA


You have not call'd me so, nor have you cause.


OCTAVIUS CAESAR


Why have you stol'n upon us thus! You come not
Like Caesar's sister: the wife of Antony
Should have an army for an usher, and
The neighs of horse to tell of her approach
Long ere she did appear; the trees by the way
Should have borne men; and expectation fainted,
Longing for what it had not; nay, the dust
Should have ascended to the roof of heaven,
Raised by your populous troops: but you are come
A market-maid to Rome; and have prevented
The ostentation of our love, which, left unshown,
Is often left unloved; we should have met you
By sea and land; supplying every stage
With an augmented greeting.


OCTAVIA


Good my lord,
To come thus was I not constrain'd, but did
On my free will. My lord, Mark Antony,
Hearing that you prepared for war, acquainted
My grieved ear withal; whereon, I begg'd
His pardon for return.


OCTAVIUS CAESAR


Which soon he granted,
Being an obstruct 'tween his lust and him.


OCTAVIA


Do not say so, my lord.


OCTAVIUS CAESAR


I have eyes upon him,
And his affairs come to me on the wind.
Where is he now?


OCTAVIA


My lord, in Athens.


OCTAVIUS CAESAR


No, my most wronged sister; Cleopatra
Hath nodded him to her. He hath given his empire
Up to a whore; who now are levying
The kings o' the earth for war; he hath assembled
Bocchus, the king of Libya; Archelaus,
Of Cappadocia; Philadelphos, king
Of Paphlagonia; the Thracian king, Adallas;
King Malchus of Arabia; King of Pont;
Herod of Jewry; Mithridates, king
Of Comagene; Polemon and Amyntas,
The kings of Mede and Lycaonia,
With a more larger list of sceptres.


OCTAVIA


Ay me, most wretched,
That have my heart parted betwixt two friends
That do afflict each other!


OCTAVIUS CAESAR


Welcome hither:
Your letters did withhold our breaking forth;
Till we perceived, both how you were wrong led,
And we in negligent danger. Cheer your heart;
Be you not troubled with the time, which drives
O'er your content these strong necessities;
But let determined things to destiny
Hold unbewail'd their way. Welcome to Rome;
Nothing more dear to me. You are abused
Beyond the mark of thought: and the high gods,
To do you justice, make them ministers
Of us and those that love you. Best of comfort;
And ever welcome to us.


AGRIPPA


Welcome, lady.


MECAENAS


Welcome, dear madam.
Each heart in Rome does love and pity you:
Only the adulterous Antony, most large
In his abominations, turns you off;
And gives his potent regiment to a trull,
That noises it against us.


OCTAVIA


Is it so, sir?


OCTAVIUS CAESAR


Most certain. Sister, welcome: pray you,
Be ever known to patience: my dear'st sister!
Exeunt

 


SCENE VII. Near Actium. MARK ANTONY's camp
Enter CLEOPATRA and DOMITIUS ENOBARBUS >>>>>

 

 

 

 

 

Cleopatra took her own life in 30BC, remained in the afterlife, waiting for rebirth protected by Anubis, then is Reborn into the 21st century after her mummy is recovered by Safiya Sabuka for scientists who have the technology to bring her back to life.

 

 

CLONED REPLICANT - Using the latest technology in computer genome mapping and digital DNA splicing, a brotherhood of progressive scientists reincarnate Cleopatra VII, who died in 30BC, having located and plundered her sarcophagus from its watery grave. The resurrected Pharaoh has to mesh with the modern world she's been reborn into, against antagonists various, including the CIA and Vatican.

 

 

 

 

 

 

 The discovery of Cleopatra's tomb, Queen of the Nile, John Storm adventure where the pharaoh is reincarnated original story Cleaner Ocean FoundationCleopatra's tomb is discovered off the coast of Alexandria, the ancient city was sunk by a tsunami in 365 BC

 

Charlton Heston and Hildegard Neil as Antony and Cleopatra, a movie from 1972

 

     The ancient Egyptians believed that a ship carried the Sun around the world, and that they would need a boat like this in the afterlifeCleopatra was famous for her river barges. The ancient Egyptian carried their dead on these boats during funerals

 

 

The remains of Cleopatra's Temple are underwater, off the coast of Egypt

 

It was inevitable that Egypt and Rome would clash, since the Pharaoh's produced so much grain, that the Roman Empire needed to keep expanding.The Egyptian Ank is a symbol or life and rebirth

 

 

 

 

 

 

WILLIAM SHAKESPEARE'S

 

ANTONY AND CLEOPATRA

 

ACT 3, SCENE 6 - OCTAVIUS CAESAR'S HOUS IN ROME - WILLIAM SHAKESPEARE'S: ANTONIUS AND CLEOPATRA - FIRST PERFORMED AT THE GLOBE THEATRE IN 1607 - A TRAGEDY - SUICIDE OF THE PHARAOH QUEEN OF EGYPT BY POISON ASP

 

 

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