ACT 3, SCENE 13 - CLEOPATRA'S PALACE, ALEXANDRIA

 

 

 

 

 

 

 

 

 

Thonis-Heracleion was Egypt’s greatest port for much of the first millennium B.C. before Alexander the Great established Alexandria in 331 B.C. Then it vanished beneath the sea in 365 A.D. hiding the location of Queen Cleopatra's tomb - a long lost mystery - until now.

 

 

 

 

WILLIAM SHAKESPEARE'S PLAY - ANTHONY AND CLEOPATRA - FULL TEXT

 

ACT I

SCENE I. Alexandria. A room in CLEOPATRA's palace.

SCENE II. Alexandria, Cleopatra's Palace. Another room.  Enter CHARMIAN, IRAS, ALEXAS, and a Soothsayer
SCENE III. Alexandria, Cleopatra's Palace. Another room. Enter CLEOPATRA, CHARMIAN, IRAS, and ALEXAS
SCENE IV. Rome. OCTAVIUS CAESAR's house. Enter OCTAVIUS CAESAR, reading a letter, LEPIDUS, and their Train

SCENE V. Alexandria. CLEOPATRA's palace. Enter CLEOPATRA, CHARMIAN, IRAS, and MARDIAN

 


ACT II


SCENE I. Messina. POMPEY's house
Enter POMPEY, MENECRATES, and MENAS, in warlike manner

SCENE II. Rome. The house of LEPIDUS Enter DOMITIUS ENOBARBUS and LEPIDUS

SCENE III. The same. OCTAVIUS CAESAR's house. Enter ANTONY, OCTAVIUS , OCTAVIA, and Attendants
SCENE IV. The same. A street. Enter LEPIDUS, MECAENAS, and AGRIPPA

SCENE V. Alexandria. CLEOPATRA's palace. Enter CLEOPATRA, CHARMIAN, IRAS, and ALEXAS

SCENE VI. Near Misenum. Pompey Menas at one door, Caesar, Anotony, Lepidus, Enobarbus, Mecaenas
SCENE VII. On board POMPEY's galley, off Misenum.  Music plays. Enter two or three Servants with a banquet

 


ACT III


SCENE I. A plain in Syria.
Enter VENTIDIUS with SILIUS, other Romans, Officers, Soldiers; body of PACORUS

SCENE II. Rome. An ante-chamber in OCTAVIUS CAESAR's house. AGRIPPA at one door, ENOBARBUS at another
SCENE III. Alexandria. CLEOPATRA's palace. Enter CLEOPATRA, CHARMIAN, IRAS, and ALEXAS
SCENE IV. Athens. A room in MARK ANTONY's house.  Enter MARK ANTONY and OCTAVIA

SCENE V. The same. Another room Enter DOMITIUS ENOBARBUS and EROS, meeting
SCENE VI. Rome. OCTAVIUS CAESAR's house
Enter OCTAVIUS CAESAR, AGRIPPA, and MECAENAS

SCENE VII. Near Actium. MARK ANTONY's camp Enter CLEOPATRA and DOMITIUS ENOBARBUS

SCENE VIII. A plain near Actium. Enter OCTAVIUS CAESAR, and TAURUS, with his army, marching

SCENE IX. Another part of the plain. Enter MARK ANTONY and DOMITIUS ENOBARBUS

SCENE X. Another part of the plain. CANIDIUS marcheth army and TAURUS, lieutenant CAESAR. Noise of a sea-fight.

SCENE XI. Alexandria. CLEOPATRA's palace. Enter MARK ANTONY with Attendants


<<<<< SCENE XII. Egypt. OCTAVIUS CAESAR's camp. Enter OCTAVIUS CAESAR, DOLABELLA, THYREUS, with others

 


SCENE XIII. Alexandria. CLEOPATRA's palace. Enter CLEOPATRA, ENOBARBUS, CHARMIAN, and IRAS

 


CLEOPATRA


What shall we do, Enobarbus?


DOMITIUS ENOBARBUS


Think, and die.


CLEOPATRA


Is Antony or we in fault for this?


DOMITIUS ENOBARBUS


Antony only, that would make his will
Lord of his reason. What though you fled
From that great face of war, whose several ranges
Frighted each other? why should he follow?
The itch of his affection should not then
Have nick'd his captainship; at such a point,
When half to half the world opposed, he being
The meered question: 'twas a shame no less
Than was his loss, to course your flying flags,
And leave his navy gazing.


CLEOPATRA


Prithee, peace.


Enter MARK ANTONY with EUPHRONIUS, the Ambassador

MARK ANTONY


Is that his answer?


EUPHRONIUS


Ay, my lord.


MARK ANTONY


The queen shall then have courtesy, so she
Will yield us up.


EUPHRONIUS


He says so.


MARK ANTONY


Let her know't.
To the boy Caesar send this grizzled head,
And he will fill thy wishes to the brim
With principalities.


CLEOPATRA


That head, my lord?


MARK ANTONY


To him again: tell him he wears the rose
Of youth upon him; from which the world should note
Something particular: his coin, ships, legions,
May be a coward's; whose ministers would prevail
Under the service of a child as soon
As i' the command of Caesar: I dare him therefore
To lay his gay comparisons apart,
And answer me declined, sword against sword,
Ourselves alone. I'll write it: follow me.


Exeunt MARK ANTONY and EUPHRONIUS

DOMITIUS ENOBARBUS


[Aside] Yes, like enough, high-battled Caesar will
Unstate his happiness, and be staged to the show,
Against a sworder! I see men's judgments are
A parcel of their fortunes; and things outward
Do draw the inward quality after them,
To suffer all alike. That he should dream,
Knowing all measures, the full Caesar will
Answer his emptiness! Caesar, thou hast subdued
His judgment too.


Enter an Attendant

Attendant


A messenger from CAESAR.


CLEOPATRA


What, no more ceremony? See, my women!
Against the blown rose may they stop their nose
That kneel'd unto the buds. Admit him, sir.


Exit Attendant

DOMITIUS ENOBARBUS


[Aside] Mine honesty and I begin to square.
The loyalty well held to fools does make
Our faith mere folly: yet he that can endure
To follow with allegiance a fall'n lord
Does conquer him that did his master conquer
And earns a place i' the story.


Enter THYREUS

CLEOPATRA


Caesar's will?


THYREUS


Hear it apart.


CLEOPATRA


None but friends: say boldly.


THYREUS


So, haply, are they friends to Antony.


DOMITIUS ENOBARBUS


He needs as many, sir, as Caesar has;
Or needs not us. If Caesar please, our master
Will leap to be his friend: for us, you know,
Whose he is we are, and that is, Caesar's.


THYREUS


So.
Thus then, thou most renown'd: Caesar entreats,
Not to consider in what case thou stand'st,
Further than he is Caesar.


CLEOPATRA


Go on: right royal.


THYREUS


He knows that you embrace not Antony
As you did love, but as you fear'd him.


CLEOPATRA


O!


THYREUS


The scars upon your honour, therefore, he
Does pity, as constrained blemishes,
Not as deserved.


CLEOPATRA


He is a god, and knows
What is most right: mine honour was not yielded,
But conquer'd merely.


DOMITIUS ENOBARBUS


[Aside] To be sure of that,
I will ask Antony. Sir, sir, thou art so leaky,
That we must leave thee to thy sinking, for
Thy dearest quit thee.


Exit

THYREUS


Shall I say to Caesar
What you require of him? for he partly begs
To be desired to give. It much would please him,
That of his fortunes you should make a staff
To lean upon: but it would warm his spirits,
To hear from me you had left Antony,
And put yourself under his shrowd,
The universal landlord.


CLEOPATRA


What's your name?


THYREUS


My name is Thyreus.


CLEOPATRA


Most kind messenger,
Say to great Caesar this: in deputation
I kiss his conquering hand: tell him, I am prompt
To lay my crown at 's feet, and there to kneel:
Tell him from his all-obeying breath I hear
The doom of Egypt.


THYREUS


'Tis your noblest course.
Wisdom and fortune combating together,
If that the former dare but what it can,
No chance may shake it. Give me grace to lay
My duty on your hand.


CLEOPATRA


Your Caesar's father oft,
When he hath mused of taking kingdoms in,
Bestow'd his lips on that unworthy place,
As it rain'd kisses.


Re-enter MARK ANTONY and DOMITIUS ENOBARBUS

MARK ANTONY


Favours, by Jove that thunders!
What art thou, fellow?


THYREUS


One that but performs
The bidding of the fullest man, and worthiest
To have command obey'd.


DOMITIUS ENOBARBUS


[Aside] You will be whipp'd.


MARK ANTONY


Approach, there! Ah, you kite! Now, gods
and devils!
Authority melts from me: of late, when I cried 'Ho!'
Like boys unto a muss, kings would start forth,
And cry 'Your will?' Have you no ears? I am
Antony yet.


Enter Attendants

Take hence this Jack, and whip him.


DOMITIUS ENOBARBUS


[Aside] 'Tis better playing with a lion's whelp
Than with an old one dying.


MARK ANTONY


Moon and stars!
Whip him. Were't twenty of the greatest tributaries
That do acknowledge Caesar, should I find them
So saucy with the hand of she here,--what's her name,
Since she was Cleopatra? Whip him, fellows,
Till, like a boy, you see him cringe his face,
And whine aloud for mercy: take him hence.


THYREUS


Mark Antony!


MARK ANTONY


Tug him away: being whipp'd,
Bring him again: this Jack of Caesar's shall
Bear us an errand to him.


Exeunt Attendants with THYREUS

You were half blasted ere I knew you: ha!
Have I my pillow left unpress'd in Rome,
Forborne the getting of a lawful race,
And by a gem of women, to be abused
By one that looks on feeders?


CLEOPATRA


Good my lord,--


MARK ANTONY


You have been a boggler ever:
But when we in our viciousness grow hard--
O misery on't!--the wise gods seel our eyes;
In our own filth drop our clear judgments; make us
Adore our errors; laugh at's, while we strut
To our confusion.


CLEOPATRA


O, is't come to this?


MARK ANTONY


I found you as a morsel cold upon
Dead Caesar's trencher; nay, you were a fragment
Of Cneius Pompey's; besides what hotter hours,
Unregister'd in vulgar fame, you have
Luxuriously pick'd out: for, I am sure,
Though you can guess what temperance should be,
You know not what it is.


CLEOPATRA


Wherefore is this?


MARK ANTONY


To let a fellow that will take rewards
And say 'God quit you!' be familiar with
My playfellow, your hand; this kingly seal
And plighter of high hearts! O, that I were
Upon the hill of Basan, to outroar
The horned herd! for I have savage cause;
And to proclaim it civilly, were like
A halter'd neck which does the hangman thank
For being yare about him.


Re-enter Attendants with THYREUS

Is he whipp'd?


First Attendant
Soundly, my lord.


MARK ANTONY
Cried he? and begg'd a' pardon?


First Attendant


He did ask favour.


MARK ANTONY


If that thy father live, let him repent
Thou wast not made his daughter; and be thou sorry
To follow Caesar in his triumph, since
Thou hast been whipp'd for following him: henceforth
The white hand of a lady fever thee,
Shake thou to look on 't. Get thee back to Caesar,
Tell him thy entertainment: look, thou say
He makes me angry with him; for he seems
Proud and disdainful, harping on what I am,
Not what he knew I was: he makes me angry;
And at this time most easy 'tis to do't,
When my good stars, that were my former guides,
Have empty left their orbs, and shot their fires
Into the abysm of hell. If he mislike
My speech and what is done, tell him he has
Hipparchus, my enfranched bondman, whom
He may at pleasure whip, or hang, or torture,
As he shall like, to quit me: urge it thou:
Hence with thy stripes, begone!


Exit THYREUS

CLEOPATRA


Have you done yet?


MARK ANTONY


Alack, our terrene moon
Is now eclipsed; and it portends alone
The fall of Antony!


CLEOPATRA


I must stay his time.


MARK ANTONY


To flatter Caesar, would you mingle eyes
With one that ties his points?


CLEOPATRA


Not know me yet?


MARK ANTONY


Cold-hearted toward me?


CLEOPATRA


Ah, dear, if I be so,
From my cold heart let heaven engender hail,
And poison it in the source; and the first stone
Drop in my neck: as it determines, so
Dissolve my life! The next Caesarion smite!
Till by degrees the memory of my womb,
Together with my brave Egyptians all,
By the discandying of this pelleted storm,
Lie graveless, till the flies and gnats of Nile
Have buried them for prey!


MARK ANTONY


I am satisfied.
Caesar sits down in Alexandria; where
I will oppose his fate. Our force by land
Hath nobly held; our sever'd navy too
Have knit again, and fleet, threatening most sea-like.
Where hast thou been, my heart? Dost thou hear, lady?
If from the field I shall return once more
To kiss these lips, I will appear in blood;
I and my sword will earn our chronicle:
There's hope in't yet.


CLEOPATRA


That's my brave lord!


MARK ANTONY


I will be treble-sinew'd, hearted, breathed,
And fight maliciously: for when mine hours
Were nice and lucky, men did ransom lives
Of me for jests; but now I'll set my teeth,
And send to darkness all that stop me. Come,
Let's have one other gaudy night: call to me
All my sad captains; fill our bowls once more;
Let's mock the midnight bell.


CLEOPATRA


It is my birth-day:
I had thought to have held it poor: but, since my lord
Is Antony again, I will be Cleopatra.


MARK ANTONY


We will yet do well.


CLEOPATRA


Call all his noble captains to my lord.


MARK ANTONY


Do so, we'll speak to them; and to-night I'll force
The wine peep through their scars. Come on, my queen;
There's sap in't yet. The next time I do fight,
I'll make death love me; for I will contend
Even with his pestilent scythe.


Exeunt all but DOMITIUS ENOBARBUS

DOMITIUS ENOBARBUS


Now he'll outstare the lightning. To be furious,
Is to be frighted out of fear; and in that mood
The dove will peck the estridge; and I see still,
A diminution in our captain's brain
Restores his heart: when valour preys on reason,
It eats the sword it fights with. I will seek
Some way to leave him.


Exit


ACT IV


SCENE I. Before Alexandria. OCTAVIUS CAESAR's camp.
Enter CAESAR, AGRIPPA, MECAENAS, Army; CAESAR reading letter  >>>>>

 


 

 

Cleopatra took her own life in 30BC, remained in the afterlife, waiting for rebirth protected by Anubis, then is Reborn into the 21st century after her mummy is recovered by Safiya Sabuka for scientists who have the technology to bring her back to life.

 

 

CLONED REPLICANT - Using the latest technology in computer genome mapping and digital DNA splicing, a brotherhood of progressive scientists reincarnate Cleopatra VII, who died in 30BC, having located and plundered her sarcophagus from its watery grave. The resurrected Pharaoh has to mesh with the modern world she's been reborn into, against antagonists various, including the CIA and Vatican.

 

 

 

 

 

 

 The discovery of Cleopatra's tomb, Queen of the Nile, John Storm adventure where the pharaoh is reincarnated original story Cleaner Ocean FoundationCleopatra's tomb is discovered off the coast of Alexandria, the ancient city was sunk by a tsunami in 365 BC

 

Charlton Heston and Hildegard Neil as Antony and Cleopatra, a movie from 1972

 

     The ancient Egyptians believed that a ship carried the Sun around the world, and that they would need a boat like this in the afterlifeCleopatra was famous for her river barges. The ancient Egyptian carried their dead on these boats during funerals

 

 

The remains of Cleopatra's Temple are underwater, off the coast of Egypt

 

It was inevitable that Egypt and Rome would clash, since the Pharaoh's produced so much grain, that the Roman Empire needed to keep expanding.The Egyptian Ank is a symbol or life and rebirth

 

 

 

 

 

 

WILLIAM SHAKESPEARE'S

 

ANTONY AND CLEOPATRA

 

ACT 3, SCENE 7 - CAMP AT ACTIUM - WILLIAM SHAKESPEARE'S: ANTONIUS AND CLEOPATRA - FIRST PERFORMED AT THE GLOBE THEATRE IN 1607 - A TRAGEDY - SUICIDE OF THE PHARAOH QUEEN OF EGYPT BY POISON ASP

 

 

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