ACT 3, SCENE 12 - OCTAVIUS CAESAR'S CAMP

 

 

 

 

 

 

 

 

 

Thonis-Heracleion was Egypt’s greatest port for much of the first millennium B.C. before Alexander the Great established Alexandria in 331 B.C. Then it vanished beneath the sea in 365 A.D. hiding the location of Queen Cleopatra's tomb - a long lost mystery - until now.

 

 

 

 

WILLIAM SHAKESPEARE'S PLAY - ANTHONY AND CLEOPATRA - FULL TEXT

 

ACT I

SCENE I. Alexandria. A room in CLEOPATRA's palace.

SCENE II. Alexandria, Cleopatra's Palace. Another room.  Enter CHARMIAN, IRAS, ALEXAS, and a Soothsayer
SCENE III. Alexandria, Cleopatra's Palace. Another room. Enter CLEOPATRA, CHARMIAN, IRAS, and ALEXAS
SCENE IV. Rome. OCTAVIUS CAESAR's house. Enter OCTAVIUS CAESAR, reading a letter, LEPIDUS, and their Train

SCENE V. Alexandria. CLEOPATRA's palace. Enter CLEOPATRA, CHARMIAN, IRAS, and MARDIAN

 


ACT II


SCENE I. Messina. POMPEY's house
Enter POMPEY, MENECRATES, and MENAS, in warlike manner

SCENE II. Rome. The house of LEPIDUS Enter DOMITIUS ENOBARBUS and LEPIDUS

SCENE III. The same. OCTAVIUS CAESAR's house. Enter ANTONY, OCTAVIUS , OCTAVIA, and Attendants
SCENE IV. The same. A street. Enter LEPIDUS, MECAENAS, and AGRIPPA

SCENE V. Alexandria. CLEOPATRA's palace. Enter CLEOPATRA, CHARMIAN, IRAS, and ALEXAS

SCENE VI. Near Misenum. Pompey Menas at one door, Caesar, Anotony, Lepidus, Enobarbus, Mecaenas
SCENE VII. On board POMPEY's galley, off Misenum.  Music plays. Enter two or three Servants with a banquet

 


ACT III


SCENE I. A plain in Syria.
Enter VENTIDIUS with SILIUS, other Romans, Officers, Soldiers; body of PACORUS

SCENE II. Rome. An ante-chamber in OCTAVIUS CAESAR's house. AGRIPPA at one door, ENOBARBUS at another
SCENE III. Alexandria. CLEOPATRA's palace. Enter CLEOPATRA, CHARMIAN, IRAS, and ALEXAS
SCENE IV. Athens. A room in MARK ANTONY's house.  Enter MARK ANTONY and OCTAVIA

SCENE V. The same. Another room Enter DOMITIUS ENOBARBUS and EROS, meeting
SCENE VI. Rome. OCTAVIUS CAESAR's house
Enter OCTAVIUS CAESAR, AGRIPPA, and MECAENAS

SCENE VII. Near Actium. MARK ANTONY's camp Enter CLEOPATRA and DOMITIUS ENOBARBUS

SCENE VIII. A plain near Actium. Enter OCTAVIUS CAESAR, and TAURUS, with his army, marching

SCENE IX. Another part of the plain. Enter MARK ANTONY and DOMITIUS ENOBARBUS

SCENE X. Another part of the plain. CANIDIUS marcheth army and TAURUS, lieutenant CAESAR. Noise of a sea-fight.


<<<<< SCENE XI. Alexandria. CLEOPATRA's palace. Enter MARK ANTONY with Attendants



SCENE XII. Egypt. OCTAVIUS CAESAR's camp. Enter OCTAVIUS CAESAR, DOLABELLA, THYREUS, with others

 


OCTAVIUS CAESAR


Let him appear that's come from Antony.
Know you him?


DOLABELLA


Caesar, 'tis his schoolmaster:
An argument that he is pluck'd, when hither
He sends so poor a pinion off his wing,
Which had superfluous kings for messengers
Not many moons gone by.


Enter EUPHRONIUS, ambassador from MARK ANTONY

OCTAVIUS CAESAR


Approach, and speak.


EUPHRONIUS


Such as I am, I come from Antony:
I was of late as petty to his ends
As is the morn-dew on the myrtle-leaf
To his grand sea.


OCTAVIUS CAESAR


Be't so: declare thine office.


EUPHRONIUS


Lord of his fortunes he salutes thee, and
Requires to live in Egypt: which not granted,
He lessens his requests; and to thee sues
To let him breathe between the heavens and earth,
A private man in Athens: this for him.
Next, Cleopatra does confess thy greatness;
Submits her to thy might; and of thee craves
The circle of the Ptolemies for her heirs,
Now hazarded to thy grace.


OCTAVIUS CAESAR


For Antony,
I have no ears to his request. The queen
Of audience nor desire shall fail, so she
From Egypt drive her all-disgraced friend,
Or take his life there: this if she perform,
She shall not sue unheard. So to them both.


EUPHRONIUS


Fortune pursue thee!


OCTAVIUS CAESAR


Bring him through the bands.


Exit EUPHRONIUS

To THYREUS

From Antony win Cleopatra: promise,
And in our name, what she requires; add more,
From thine invention, offers: women are not
In their best fortunes strong; but want will perjure
The ne'er touch'd vestal: try thy cunning, Thyreus;
Make thine own edict for thy pains, which we
Will answer as a law.


THYREUS


Caesar, I go.


OCTAVIUS CAESAR


Observe how Antony becomes his flaw,
And what thou think'st his very action speaks
In every power that moves.


THYREUS


Caesar, I shall.

 

Exeunt

 


SCENE XIII. Alexandria. CLEOPATRA's palace. Enter CLEOPATRA, ENOBARBUS, CHARMIAN, and IRAS >>>>>

 

 

 

 

 

Cleopatra took her own life in 30BC, remained in the afterlife, waiting for rebirth protected by Anubis, then is Reborn into the 21st century after her mummy is recovered by Safiya Sabuka for scientists who have the technology to bring her back to life.

 

 

CLONED REPLICANT - Using the latest technology in computer genome mapping and digital DNA splicing, a brotherhood of progressive scientists reincarnate Cleopatra VII, who died in 30BC, having located and plundered her sarcophagus from its watery grave. The resurrected Pharaoh has to mesh with the modern world she's been reborn into, against antagonists various, including the CIA and Vatican.

 

 

 

 

 

 

 The discovery of Cleopatra's tomb, Queen of the Nile, John Storm adventure where the pharaoh is reincarnated original story Cleaner Ocean FoundationCleopatra's tomb is discovered off the coast of Alexandria, the ancient city was sunk by a tsunami in 365 BC

 

Charlton Heston and Hildegard Neil as Antony and Cleopatra, a movie from 1972

 

     The ancient Egyptians believed that a ship carried the Sun around the world, and that they would need a boat like this in the afterlifeCleopatra was famous for her river barges. The ancient Egyptian carried their dead on these boats during funerals

 

 

The remains of Cleopatra's Temple are underwater, off the coast of Egypt

 

It was inevitable that Egypt and Rome would clash, since the Pharaoh's produced so much grain, that the Roman Empire needed to keep expanding.The Egyptian Ank is a symbol or life and rebirth

 

 

 

 

 

 

WILLIAM SHAKESPEARE'S

 

ANTONY AND CLEOPATRA

 

ACT 3, SCENE 7 - CAMP AT ACTIUM - WILLIAM SHAKESPEARE'S: ANTONIUS AND CLEOPATRA - FIRST PERFORMED AT THE GLOBE THEATRE IN 1607 - A TRAGEDY - SUICIDE OF THE PHARAOH QUEEN OF EGYPT BY POISON ASP

 

 

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